In the labyrinth (1967)
Roman Kroitor, were assigned by Expo to produce a cinematic experience that would illustrate the theme of Man the Hero. They arrived at the idea of a labyrinth, into which by ancient tradition, the hero would enter in order to find and kill the dreaded man-eating Minotaur at its center. To make the myth contemporary, the film makers developed a new kind of walk-through cinema and they shot film throughout the world. And to show it they built a five-story building and filled it with three chambers. They attempted to show that modern man, too, finds himself entangled in a labyrinth. The monster he has to face is himself – this inner struggle is the one which will enable man to triumph over his own hesitations.
The hero entering the labyrinth this time was Man – essentially the audience. People were led in near darkness along a maze of ramps where they emerged at one of four vertically stacked elliptically- shaped balconies. There they could view the film on a vertical screen to the side of them nearly 50 feet high, and if they leaned over the railings also on the screen below. The images were connected so there were always two ways at looking at things. (more)
A Place to Stand